ABOUT US
Juliet Russell
Juliet Russell has been commissioned to perform as a soloist all over the world from Mexican football stadiums
to Scottish Castles and Royal visits.
Her voice has been heard from the rooftops of the National Theatre, The British Museum, Sadlers Wells, 42nd Street
and mass site specific celebrations with audiences of 20,000.
'Brilliantly haunting'
The Stage
Juliet performs live with a looping device - layering up evocative harmonies and rhythms within seconds….drawing upon her heritage, which is part Lithuanian and Celtic. Songs from The Balkans to the Hebrides are enmeshed with her own powerful improvisations using her four octave range.
'Juliet looped up her incredible vocal range to create amazing harmonies & Rhythms with influences from Africa to the Balkans
...an amazing energy that people loved'
Rio Agua Water Festival, Andalucia
'Beautiful & mesmerising'
Musicians Union Magazine 2018​
'Blissed out'
The Independent
'The 1500 audience loved the power of this singer'
Barcelona International Forum
'The beautiful singing of Juliet Russell calls like a siren summoning us'
Total Theatre
Sarah Moody
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Sarah is an improvising cellist and composer with a particular interest in folk and world music. For 30 years she has performed and written music for theatre, dance, storytelling, film and radio. This includes the film A Year in a Field and Theatre and Dance companies such as Kneehigh, Wildworks, Tobacco Factory Theatres, The Darkin Ensemble, The Egg, Theatre Royal Bath, Stuff & Nonsense and Travelling Light Theatre. She plays in jazz, folk and world music bands and records as a session musician.
She co-founded The Devil’s Violin storytelling and music company that toured 6 shows
throughout the UK and Europe for 17 years.
www.thedevilsviolin.co.uk
She teaches cello creatively, offers Jamming for the Terrified classes and runs workshops that support people to discover their own musicality.
'An excellent score ... a haunting sound world ... always tenderly humane'
Judith Mackrell, The Guardian
'Rich musicianship'
Simon Bishop, Stage Talk Magazine on The Devil’s Violin
'A sensitive music score'
Mansel Stimpson, Film Review Daily on A Year in a Field
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